A Hungarian artist Roland Nagy has been composing his unique deconstructed post-club sound as Fausto Mercier since 2016. On his latest album, Misinput Tycoon, released this spring by Prague-based cassette label Genot Centre, Nagy unleashes his immense potential, exposing a listener to bursts of futuristic sound that surges frenetically like a stormy water, interspersing chaotic beat textures with melodic ambient passages and razor-sharp rhythmic sequences with delicate, blurred soundscapes.  His work in the field of electronic music production, while resonating with hardcore digital culture and bouncy rhythmic heaviness, is closely connected to his fascination for natural soundscapes and their fractal nature.